D4vd Collaborations Removed from Streaming Platforms Amid Legal Turmoil

Anna Svensson
23 april 2026

In a significant turn of events for the emerging artist D4vd, several of his collaborations with well-known musicians have been removed from multiple streaming platforms. This decision comes in the wake of D4vd's arrest on first-degree murder charges involving the tragic death of 14-year-old Celeste Rivas Hernandez.

Kali Uchis, one of the artists who collaborated with D4vd, took swift action after the discovery of the body in D4vd's Tesla. She initiated the removal of their joint track titled "Crashing" from streaming services. This incident marks a dramatic moment in the music industry, as artists grapple with the implications of working with a musician now facing serious legal consequences.

Additionally, Damiano David, recognized for his role in the popular band Maneskin, opted to remove D4vd from the song "Tangerine". He replaced the original version featuring D4vd with a fully solo rendition on his recent album, "Funny Little Fears." This deliberate alteration highlights an immediate distancing from D4vd amidst the ongoing investigation.

Similarly, Laufey, an up-and-coming singer-songwriter, has pulled their collaboration titled "This Is How It Feels" from streaming services. These developments reflect a growing concern within the artistic community regarding affiliations with artists embroiled in serious allegations.

Furthermore, D4vd's professional relationships with major music labels have also suffered. Interscope Records has taken the significant step of removing him from their official website, suggesting a complete severance of ties. This action, coupled with the termination of contracts by Sony Music Publishing and The·Team, signals a profound shift in D4vd's career, one that may impact his future in the industry.

The swift actions from these artists and labels underscore the broader implications of legal issues within the music industry. Artists often face tough decisions regarding their professional associations, especially when a colleague faces allegations of such a grave nature. However, the specifics behind each artist's decision to detach from D4vd remain largely unexplained. The timeline concerning when these collaborations were removed adds to the ambiguity surrounding the controversy.

The ongoing situation continues to unfold, with D4vd's legal battles likely influencing not only his career but also the connected artists who now face public scrutiny for their previous collaborations. As legal proceedings advance, the situation will likely evolve, potentially impacting the larger landscape of the music industry.

For fans and observers, the legal ramifications of D4vd's actions are a stark reminder of the precarious nature of celebrity culture where personal choices can have extensive professional consequences. As this story develops, the music world waits to see the long-term effects on D4vd and his former collaborators.

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